Structuring Your Story’s Scenes, Pt. 8: Options for Reactions in a Sequel

Structuring Your Story’s Scenes, Pt. 8: Options for Reactions in a Sequel   At the heart of every sequel* is the narrating character’s reaction to the preceding scene’s disaster. This is where the author gets the opportunity to dig around inside his character’s emotional and mental processes and find out what he’s really made of. The scene is about … More Structuring Your Story’s Scenes, Pt. 8: Options for Reactions in a Sequel

Structuring Your Story’s Scenes, Pt. 7: The Three Building Blocks of the Sequel

Structuring Your Story’s Scenes, Pt. 7: The Three Building Blocks of the Sequel   The sequel*—the second half of the Scene—sometimes gets shortchanged. But it is every bit as important as the scene, since it allows characters to process the events of the scene and figure out their next move. The sequel is the reaction half of the action/reaction pairing. … More Structuring Your Story’s Scenes, Pt. 7: The Three Building Blocks of the Sequel

Structuring Your Story’s Scenes, Pt. 5: Options for Disasters in a Scene

   by K.M. WEILAND |  Structuring Your Story’s Scenes, Pt. 5: Options for Disasters in a Scene The disaster is the payoff at the end of the scene.* This is what readers have been waiting for—often, with a delicious sense of dread. This is the answer, at least partially, to that all-important question, “What’s gonna happen?” The … More Structuring Your Story’s Scenes, Pt. 5: Options for Disasters in a Scene

Structuring Your Story’s Scenes, Pt. 4: Options for Conflict in a Scene

Structuring Your Story’s Scenes, Pt. 4: Options for Conflict in a SceneSHARE Once you’ve established your character’s scene* goal, the fun begins in earnest! Conflict is what story is all about. Without it, the character would achieve his goal in minutes, all the loose ends would instantly be tied off with a pretty red bow, and the story … More Structuring Your Story’s Scenes, Pt. 4: Options for Conflict in a Scene

Structuring Your Story’s Scenes, Pt. 3: Options for Goals in a Scene

Structuring Your Story’s Scenes, Pt. 3: Options for Goals in a Scene The story as a whole and every scene* within it begins with a goal. Your character wants something—something he will have difficulty accomplishing. What he wants frames the plot on both the macro and micro levels. What he wants defines him as a person, … More Structuring Your Story’s Scenes, Pt. 3: Options for Goals in a Scene

Structuring Your Story’s Scenes, Pt. 2: The Three Building Blocks of the Scene

Structuring Your Story’s Scenes, Pt. 2: The Three Building Blocks of the SceneilLike story itself, each Scene* follows a specific structure. At its heart, the arc of the Scene is the same as that of the larger story structure exhibited over the course of the book: 1. Beginning=Hook 2. Middle=Development 3. End=Climax When we look at the … More Structuring Your Story’s Scenes, Pt. 2: The Three Building Blocks of the Scene

Structuring Your Story’s Scenes, Pt. 1: Mastering the Two Different Types of Scene

Structuring Your Story’s Scenes, Pt. 1: Mastering the Two Different Types of Scene Okay, so it’s not really a trick. It’s a legitimate question with a legitimate, if somewhat surprising, answer. And that answer is: the scene. Yep, you heard right. The scene—that most integral, most obvious, most universal part of any story—is also the most overlooked and … More Structuring Your Story’s Scenes, Pt. 1: Mastering the Two Different Types of Scene

How to Evoke Reader Emotions With “Surprisingness”

How to Evoke Reader Emotions With “Surprisingness”   Have you ever read a book for a second, third, even tenth time—just to experience the emotion the story evokes? Clearly the elements of the story aren’t a surprise. You know exactly what to expect. If so, you were benefiting from an author who knew how to … More How to Evoke Reader Emotions With “Surprisingness”

How to Evoke Reader Emotions With “Surprisingness”

How to Evoke Reader Emotions With “Surprisingness”   Have you ever read a book for a second, third, even tenth time—just to experience the emotion the story evokes? Clearly the elements of the story aren’t a surprise. You know exactly what to expect. If so, you were benefiting from an author who knew how to … More How to Evoke Reader Emotions With “Surprisingness”

Critique: 10 Ways to Write Excellent Dialogue

  Critique: 10 Ways to Write Excellent Dialogue For many people, dialogue is the heartbeat of fiction. As arguably the only true form of “showing” in written fiction, it offers an inexhaustible source of energy for dramatizing characters, catalyzing conflict, and enhancing every available opportunity for entertainment. That’s why it’s so important to take full … More Critique: 10 Ways to Write Excellent Dialogue